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- O cessate di piagarmi (principal) - composer Scarlatti, Alessandro SHEET MUSIC
Arietta composed by Alessandro Scarlatti (1660-1725).
This set shows two different text versions according to a manuscript of arias in Copenhagen, which gives, in the second part, 'occhi attroci [sic, atroci] orgogliosi' according to Knud Jeppesen in La Flora, vol. 1.
This arietta has been transposed in severeal tonalities in order to present a choice for any voice and to allow interesting technical studies with a pianist or harpsichord player who are given here a maximum of comfort because they do not have to transpose by sight. It's surely possible to find these ariettas in several tonalities, but they haven't been edited in so many moods as in this collection, going from very high to very deep voices. Besides the fact, that it may be possible, by this way, to discover the best tune for any type of voice, this collection also allows technical trips towards the boundaries of any singer's high and/or low limits.
Here are the chosen tonalities for this arietta (from high to low voice):
a minor : https://musescore.com/user/162478/scores/186614
g minor : https://musescore.com/user/162478/scores/186617
f# minor : https://musescore.com/user/162478/scores/186618
f minor : https://musescore.com/user/162478/scores/186619
e minor : https://musescore.com/user/162478/scores/186620
d minor : https://musescore.com/user/162478/scores/186621
c minor : https://musescore.com/user/162478/scores/186623
This set shows two different text versions according to a manuscript of arias in Copenhagen, which gives, in the second part, 'occhi attroci [sic, atroci] orgogliosi' according to Knud Jeppesen in La Flora, vol. 1.
This arietta has been transposed in severeal tonalities in order to present a choice for any voice and to allow interesting technical studies with a pianist or harpsichord player who are given here a maximum of comfort because they do not have to transpose by sight. It's surely possible to find these ariettas in several tonalities, but they haven't been edited in so many moods as in this collection, going from very high to very deep voices. Besides the fact, that it may be possible, by this way, to discover the best tune for any type of voice, this collection also allows technical trips towards the boundaries of any singer's high and/or low limits.
Here are the chosen tonalities for this arietta (from high to low voice):
a minor : https://musescore.com/user/162478/scores/186614
g minor : https://musescore.com/user/162478/scores/186617
f# minor : https://musescore.com/user/162478/scores/186618
f minor : https://musescore.com/user/162478/scores/186619
e minor : https://musescore.com/user/162478/scores/186620
d minor : https://musescore.com/user/162478/scores/186621
c minor : https://musescore.com/user/162478/scores/186623
Pages | 3 |
Duration | 01 |
Measures | 45 |
Key signature | 1 sharp |
Parts | 2 |
Part names | Voice, Piano |
Privacy | Everyone can see this score |
License | None (All rights reserved) |
O Cessate di Piagarmi (Voz Soprano-Tenor/Piano) Reference: 64006. Condition: New product. Scarlatti, Alessandro. O Cessate di Piagarmi (Voz Soprano-Tenor/Piano). More details. En stock entrega estimada 1-2 dias laborales. Warning: Last items in stock! Tweet Share Google+ Pinterest. Write a review. Print and download in PDF or MIDI O cessate di piagarmi. Arietta composed by Alessandro Scarlatti (1660-1725). This set shows two different text versions according to a manuscript of arias in Copenhagen, which gives, in the second part, 'occhi attroci sic, atroci orgogliosi' according to Knud Jeppesen in La Flora, vol. This arietta has been transposed in severeal tonalities in order to.